Farianny Gonzalez-Sanchez

A close-up portrait of a young woman with brown eyes, wearing gold-rimmed glasses and a black disposable face mask. Her dark hair is pulled back, and she wears gold hoop earrings and a delicate gold sun pendant necklace over a light grey off-the-shoulder top. The background is softly blurred.

Farianny Gonzalez-Sanchez (she/her) is a fourth-year Professional Communication student and first-generation Dominican Canadian multidisciplinary artist. Her work is rooted in storytelling, community engagement, and the preservation of culture. First introduced to the arts through Latin dance at a young age, Farianny’s creative practice has expanded to include media production, research, and community programming that explores themes of diaspora, identity, and cultural memory.

Her academic work draws from Caribbean studies, political communication, race, and cultural theory to examine how power, migration, and history shape lived experiences. Alongside her studies, she has worked with community arts organizations facilitating creative workshops for marginalized youth and currently serves as a director for a student-led hip hop dance team, where she develops curriculum, leads programming, and secures funding for student initiatives. Through both research and creative practice, Farianny hopes to pursue a career in the arts and culture sector, using communication and storytelling to build community and amplify underrepresented voices.

This project examines mass migration from the Dominican Republic to the United States between the 1950s to the 2000s through a post-colonial and transnational lens. While migration is often portrayed as an individual pursuit of opportunity, this research highlights how political intervention, economic restructuring, and racial ideologies shaped the conditions that pushed many Dominicans to leave their homes. Drawing on historical archives, literature, media documentation, and migration theory, the study situates Dominican migration within broader histories of U.S.–Caribbean relations and global inequality. By centering these structural forces, the project challenges simplified narratives about immigrants and reframes migration as a response to intertwined political, economic, and historical pressures.

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A headshot of a young woman with fair skin, light eyes, and long, wavy brown hair with fringe bangs. She has a warm, natural smile, showing crinkles at the corners of her eyes, and wears coral-colored lipstick and a black turtleneck. The background is a blurred office or building interior with soft, ambient lighting.
A close-up portrait of a light-skinned person with short, dark brown hair and a friendly smile. They are wearing a dark blue, ribbed, high-neck sleeveless top, silver crescent moon earrings, and a matching necklace with a small pearl. The background is softly blurred with muted brown and grey tones.
A close-up portrait of a Black woman with warm dark skin, smiling broadly at the camera with her teeth showing and wearing deep red lipstick. She has long box braids styled with a mix of black and vibrant blue hair, and wears small gold hoop earrings and a thin gold necklace. Her sleeveless top features a blue and teal animal print pattern. The background is a plain light gray.
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